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Well I keep finding myself explaining various plot points or origins every time I post a new selkie picture and corresponding vague blurb, so I thought it would be a good idea to have a central place where you can read up on the story, if you like. The idea is that I'll update the story here when I upload a new illustration, and fill in major plot points which aren't getting covered in the picture, so check back if you're interested.
BEFORE I START, I will answer once and for all this question: "Is this from Ondine/Secret of Roan Inish?" Not really, this story is as similar to either of those as they are to each other: they are all from the same mythology, but this series is about characters who do not exist in another selkie retelling. Here is some reading on basic selkie mythology: en.wikipedia.org/wiki/Selkie&n…;
1) Corresponding picture is "Selkie's Bath"
A lonely fisherman in a vaguely Irish setting stumbles upon a beautiful bathing woman- and then sees her seal skin. He takes the skin and hides it, thus binding the selkie to him.
2) Corresponding picture is "New Home"
He takes her home, wrapped in a rough blanket. She follows him, because she doesn't know what else to do-- she doesn't really understand what's happening.
3) Corresponding picture is "New Life"
The selkie spends the whole night searching for her lost skin, so that she might return to the ocean. The fisherman follows silently behind her, neither helping nor distracting her. He is battling his own demons-- guilt over taking a creature from its habitat, and his overwhelming desire for this unearthly creature he doesn't even know.
When she doesn't find the skin, she watches the sun rise, realizing she's not going anywhere.
4) Corresponding picture is "Selkie -- 4"
Everybody's got to wear clothes, even girls who came from the water. He roots around in his trunk for something suitable, as she delights in the curious fit and feel of clothing on her skin. He is glad to see her smile.
5) Corresponding picture is "Selkie -- 5"
An innocent and unintentional seduction. One twilight, she is curious what the fisherman's beard feels like. He struggles to remain respectful-- after all, he hardly knows this strange girl, and she doesn't know what she's doing.
6) Corresponding picture is "Selkie -- 6"
The selkie has been enjoying herself, but she's homesick. She tries to return to the sea, only to find that she cannot. The reality of her situation begins to sink in.
7) Corresponding picture is "Selkie -- 7"
Time has gone by. The fisherman has been trying to keep her a secret, not quite knowing why. But his friends are curious about how he's been spending all his time, so on a market day, they prepare to go into town. The selkie puts her hair up special for the occasion.
BEFORE I START, I will answer once and for all this question: "Is this from Ondine/Secret of Roan Inish?" Not really, this story is as similar to either of those as they are to each other: they are all from the same mythology, but this series is about characters who do not exist in another selkie retelling. Here is some reading on basic selkie mythology: en.wikipedia.org/wiki/Selkie&n…;
1) Corresponding picture is "Selkie's Bath"
A lonely fisherman in a vaguely Irish setting stumbles upon a beautiful bathing woman- and then sees her seal skin. He takes the skin and hides it, thus binding the selkie to him.
2) Corresponding picture is "New Home"
He takes her home, wrapped in a rough blanket. She follows him, because she doesn't know what else to do-- she doesn't really understand what's happening.
3) Corresponding picture is "New Life"
The selkie spends the whole night searching for her lost skin, so that she might return to the ocean. The fisherman follows silently behind her, neither helping nor distracting her. He is battling his own demons-- guilt over taking a creature from its habitat, and his overwhelming desire for this unearthly creature he doesn't even know.
When she doesn't find the skin, she watches the sun rise, realizing she's not going anywhere.
4) Corresponding picture is "Selkie -- 4"
Everybody's got to wear clothes, even girls who came from the water. He roots around in his trunk for something suitable, as she delights in the curious fit and feel of clothing on her skin. He is glad to see her smile.
5) Corresponding picture is "Selkie -- 5"
An innocent and unintentional seduction. One twilight, she is curious what the fisherman's beard feels like. He struggles to remain respectful-- after all, he hardly knows this strange girl, and she doesn't know what she's doing.
6) Corresponding picture is "Selkie -- 6"
The selkie has been enjoying herself, but she's homesick. She tries to return to the sea, only to find that she cannot. The reality of her situation begins to sink in.
7) Corresponding picture is "Selkie -- 7"
Time has gone by. The fisherman has been trying to keep her a secret, not quite knowing why. But his friends are curious about how he's been spending all his time, so on a market day, they prepare to go into town. The selkie puts her hair up special for the occasion.
Teaching in Boston
Hey All! As some of you know, I've been tutoring via skype for some time, but this winter I'm expanding into the REAL LIVE WORLD of teaching classes! For the month of December, I'll be doing a trial and seeing if this is a tenable arrangement, so I get to teach WHATEVER THE HECK I FEEL LIKE.
So I wanted to A) let those among you who are Bostonians know this was going on, and B) ask you for feedback. What classes would you be most interested in taking? Have you taught/attended independent arts classes before and you have suggestions or anything? What days/times would you be most likely to go to? All RIGHT!
P.S. this IS connected to the
DA's Commissions Shop
So this is a thing! http://www.deviantart.com/commissions/
So. Your friendly neighborhood Auntie Toerning is going to step in for a second here. Firstly, I think it's very groovy and awesome that DA is establishing their own marketplace. It's a scary world out there of work for hire and it's totally awesome that DA artists now have this stepping stool to practice professional habits in the same way that we practice artistic skills!
A
BIG
FAT
HOWEVER
I would like to take a moment to discuss the rates here. I was just exploring quickly, and saw on the navigation on the left "price," and, like every other human on the planet, clicked
Comic Composition Geekout
SPECIAL GUEST STAR (against his knowledge) IS ~Andrew-Ross-MacLean (https://www.deviantart.com/andrew-ross-maclean)
You guys know when I get really excited about art geekery, I JUST CAN'T KEEP IT IN. I also feel like composition is a really hard thing to learn, and all you can really do is try to learn "what is good" in composition, and then try to find examples until you can recognize it. In addition, composition for comics is extra hard because you have to worry about the overall flow of the page as well as the composition of each individual panel.
So I was doing my spring cleaning of my message center and came on some new comic pages he uploaded, all of which are awesome, but ta
Shared Studio Spaces
This is something I've been thinking a lot about. The fact of the matter is, as much as it's awesome, I don't work my best from home. I want to be able to "go to work" in the morning, see people, do my thing, and then come home. There are too many complications and distractions working from home, and too few opportunities to participate in the world as a human being. And I know of co-working spaces, to be sure there are loads of options in San Francisco, but having visited a bunch of them, there aren't any just right. I've always had a fantasy of starting a shared studio space, a small one, not a big vaulty warehouse style thing, maybe a
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i hope you will you continue with another chapter so far its a good story that stays with you.