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This is something I've been thinking a lot about. The fact of the matter is, as much as it's awesome, I don't work my best from home. I want to be able to "go to work" in the morning, see people, do my thing, and then come home. There are too many complications and distractions working from home, and too few opportunities to participate in the world as a human being. And I know of co-working spaces, to be sure there are loads of options in San Francisco, but having visited a bunch of them, there aren't any just right. I've always had a fantasy of starting a shared studio space, a small one, not a big vaulty warehouse style thing, maybe a half-dozen or like 8 people, not necessarily illustrators just self-proclaimed "nerds." I love the idea of coming to work and seeing my (sort-of) co-workers, and then getting to "get down to business" with work that really matters to me. We could have a little kitchenette, and a hangout area, and could ask each other if this-or-that comic sequence makes sense, or do you have an extra eraser, and have movie nights and stuff.
Okay but the point of this isn't to go off on my weird fantasy thing. I've always stopped myself from looking with any actual intent because the amount of effort into the "businessy" direction intimidates me terribly, and it's not like I have this huge untapped wealth of time (not to mention funds) right now to get something like this going. So there are two sides one of which is: "Leela this is a fantasy, you don't have time for this nonsense." The other is "Leela you are 22 and have more optimism and energy than you ever will again. Probably this is the PERFECT time and frankly you've been having a streak of luck so why the hell not just look into it?"
The actual point is to ask you guys about your thoughts, experiences, opinions on shared working spaces. For those of you who have worked in a shared studio or co-working space- what was good/bad? Would it have been better/worse if it were specifically marketed to designers and other creatives? For people who already work from home- is this an option you would consider? Could imagine yourself enjoying? Knowing that the usual going rate for a dedicated desk in a co-working space is between $425-500 a month, (in San Francisco, anyway, and trust me I also find this absurd,) what can you see yourself actually able to pay? And while I'm at it, is there anyone in San Francisco who is looking for just such an opportunity?
Can't say anything will come of this, alls I know is it's been on my mind and I value the input I can get from you all, so I might as well ask!!!
Okay but the point of this isn't to go off on my weird fantasy thing. I've always stopped myself from looking with any actual intent because the amount of effort into the "businessy" direction intimidates me terribly, and it's not like I have this huge untapped wealth of time (not to mention funds) right now to get something like this going. So there are two sides one of which is: "Leela this is a fantasy, you don't have time for this nonsense." The other is "Leela you are 22 and have more optimism and energy than you ever will again. Probably this is the PERFECT time and frankly you've been having a streak of luck so why the hell not just look into it?"
The actual point is to ask you guys about your thoughts, experiences, opinions on shared working spaces. For those of you who have worked in a shared studio or co-working space- what was good/bad? Would it have been better/worse if it were specifically marketed to designers and other creatives? For people who already work from home- is this an option you would consider? Could imagine yourself enjoying? Knowing that the usual going rate for a dedicated desk in a co-working space is between $425-500 a month, (in San Francisco, anyway, and trust me I also find this absurd,) what can you see yourself actually able to pay? And while I'm at it, is there anyone in San Francisco who is looking for just such an opportunity?
Can't say anything will come of this, alls I know is it's been on my mind and I value the input I can get from you all, so I might as well ask!!!
Teaching in Boston
Hey All! As some of you know, I've been tutoring via skype for some time, but this winter I'm expanding into the REAL LIVE WORLD of teaching classes! For the month of December, I'll be doing a trial and seeing if this is a tenable arrangement, so I get to teach WHATEVER THE HECK I FEEL LIKE.
So I wanted to A) let those among you who are Bostonians know this was going on, and B) ask you for feedback. What classes would you be most interested in taking? Have you taught/attended independent arts classes before and you have suggestions or anything? What days/times would you be most likely to go to? All RIGHT!
P.S. this IS connected to the
DA's Commissions Shop
So this is a thing! http://www.deviantart.com/commissions/
So. Your friendly neighborhood Auntie Toerning is going to step in for a second here. Firstly, I think it's very groovy and awesome that DA is establishing their own marketplace. It's a scary world out there of work for hire and it's totally awesome that DA artists now have this stepping stool to practice professional habits in the same way that we practice artistic skills!
A
BIG
FAT
HOWEVER
I would like to take a moment to discuss the rates here. I was just exploring quickly, and saw on the navigation on the left "price," and, like every other human on the planet, clicked
Comic Composition Geekout
SPECIAL GUEST STAR (against his knowledge) IS ~Andrew-Ross-MacLean (https://www.deviantart.com/andrew-ross-maclean)
You guys know when I get really excited about art geekery, I JUST CAN'T KEEP IT IN. I also feel like composition is a really hard thing to learn, and all you can really do is try to learn "what is good" in composition, and then try to find examples until you can recognize it. In addition, composition for comics is extra hard because you have to worry about the overall flow of the page as well as the composition of each individual panel.
So I was doing my spring cleaning of my message center and came on some new comic pages he uploaded, all of which are awesome, but ta
Drawing Giveaway
THANK YOU ALL for your amazing comments!!! I had no idea so many of you were going to be so enthusiastic! I am going to close responses now, and give myself a chance to thoroughly read every comment. It's been an absolute treat reading them so far -- not only is it fun to read effusive compliments, but I LOVE hearing your personal stories about Harry Potter. Makes me SO HAPPY!!! I'll let you know by note if you have won a drawing- and I will do my best to get back to all of your lovely comments!
I sold some drawings earlier this year, and hearing feedback from the people who bought them and even in some cases seeing photos of the art on
© 2012 - 2024 toerning
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Here's a thought. With the internet turning our world into a global village it make life for artist (digital) a whole lot easier.
If San Francisco is to expensive, then consider moving where you can be creative, social and free of ridiculous rent prices.
I once quite my job as an animator and moved to Namibia to get some peace and quiet. Problem was that too much peace and quiet is also not good. Now I find myself in and open plan studio back where started. I think what you wanna do is perfect and well balanced. Just don't think you should limit your surroundings.
If San Francisco is to expensive, then consider moving where you can be creative, social and free of ridiculous rent prices.
I once quite my job as an animator and moved to Namibia to get some peace and quiet. Problem was that too much peace and quiet is also not good. Now I find myself in and open plan studio back where started. I think what you wanna do is perfect and well balanced. Just don't think you should limit your surroundings.